In 2020, Frédéric Liver tries to come to grips with the Boléro as choreographed by Maurice Béjart. Fascinated by the image of Duška Sifnios and her performance of Bolero, he imagines learning the whole choreography without having danced in his life.

THE CITY SHUDDERS,

2013-17

GEOMETRIC YOUTH

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Since 2010

“I asked Antoine to make a series of tattoos to create the images needed to create a video animation in which a drawing, runs, dances, fights and moves from one skin to another.”

The result is a violent sequence, perhaps clumsy and absurd, both sensitive and human. The image of a personal experience, a collective portrait.

BREAKING THE BACKBOARD

MDLXIII

2020

Breaking the backboard : a basketball performance without hoops and balls. Remove the notion of results, of winners and losers and keep the beauty of the game, the fierce energy of the engaged bodies. Because by withdrawing the productive nature of the gesture, it becomes choreographic. Because by removing the effectiveness of an intention, it opens up a field of poetic understanding.

Since 2013

"I was finally able to concentrate and gaze calmly at the space-time I had created." Opalka

Engraved as an xylographic matrix, this date appears only backwards and interrogates time. What day will follow a day that is written by its end?

IMPATIENS,

Jardin de paresse.

2017

"If you own a library and a garden, you have everything you need." Cicero.

The inner garden, the ultimate enclosure, is in a sense the smallest form of "planetary garden", the most fragile and dependent. It is nevertheless designed to endure. A work of the living, it shows us the stakes of life and death.

Since 2017

"Just play. Have fun. Enjoy the game"
Michael Jordan

A basketball court occupies the surface of a small gallery and invites players to move energy from the outside towards the inside.

2015

A Place for Us to Dream. Photographed sculptures and rethought in the public space. Halfway between found object, assembly and recycling; from the street to the street.

2011

« Seamos realistas y hagamos lo imposible. » Guevara

A thousand thoughtful and committed individuals who remind us of our own uniqueness, the possibility of our own role and its necessity. Need felt by thousands of enlightened people, from the resistant in 1940 to the actors of today's revolution, through the artist who never ceases to alert, warn, remind the immense privilege of having the choice... Unite? Create a group? And for what purpose?

2008

"I don't play against any particular team. I'm playing to fight the idea of losing." Cantona

San Siro 82,955. Portrait dedicated to the eponymous stadium of Milan. Conceived as a collection of paintings, it features his fans rather than the most famous football players.

2012

Everyone loves ghosts, they make the limits of our lives less definitive, they pass through walls, they're still dressed but have no body and... they make "Bouuh!"

Damned or not, ghosts remain a beautiful political symbol.

Erased.

2012

There is nevertheless a contradiction in the ghostly being, or at least a distinction between the different spectra and ghosts.

"Clak Clak Clak Clak Clak Clak" makes the beamer that projects them one by one on the wall.

A CRY THAT SUMMONS THE STORM.

2015

« Hold back the edges of your gowns, Ladies, we are going through hell »

There's a scream through space. As announced in the title, this cry calls storm. A cry of rage arises with others, sharing a collective condition of disaffection.

since 2012

Founded in Naples in 1992, deceased in Milan in 1996, reborn after 16 years, scattered, individual and multiple, E IL TOPO is now an international and transgenerational “movement” that conveys a subversive and libertarian attitude, whose modus operandi – subtly polemical, at times – acknowledges no preset roles, no personal styles.
http://www.eiltopo.org